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Weaving & Synthesis

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Presenters

  • Cara Page

    Cara Page is a Black Queer Feminist cultural/memory worker, curator, and organizer. For the past 30+ years, she has organized with Black, Indigenous and People of Color, Queer/Trans/Lesbian/Gay/Bi/Intersex/Gender Non-Conforming liberation movements in the US & Global South at the intersections of racial, gender & economic justice, reproductive justice, healing justice and transformative justice. She is leading a new project, Changing Frequencies, an archival/memory and cultural organizing abolitionist project building power with communities who want to confront, heal from & transform & dismantle the historical and contemporary exploitative practices and abuses of the Medical Industrial Complex (MIC). Cara is one of the architects of the healing justice political strategy, envisioned by many in the US South and deeply rooted in Black Feminist traditions and Southern Black Radical Traditions of the Global South. She is co-founder and current leadership team member of the Kindred Southern Healing Justice Collective. She is also the former ED of The Audre Lorde Project, and former National Coordinator of the Committee on Women, Population & the Environment.
  • Prof. Jack Tchen

    Jack (John Kuo Wei) Tchen is a historian, curator, dumpster-diver, and teacher surfacing the disappeared stories othered by systems of power and wealth. Dr. Tchen is the Clement A. Price Professor of Public History & Humanities and Director of the Price Institute on Ethnicity, Cultures, and the Modern Experience Rutgers-Newark. He is the founding director of the A/P/A (Asian/Pacific/American) Studies Program and Institute at New York University, NYU. He co-founded the Museum of Chinese in America. His ten-years of work on anti-Asian xenophobia, a two-hour PBS documentary on the “Chinese Exclusion Act,” and exhibition at the New-York Historical Society led him to focus on intersectional history of American eugenics. Via a series of exhibits, conferences, and performances, he has been retelling NYC-US history from the lens of “Nordic” eugenics hierarchies of “fit” elite, white Protestants versus the world’s “unfit” others.